Cartoons and Illustrations by Steve Bonello
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The Big Hug

14/9/2012

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Finally completed The Big Hug! I spent way too long on this one - considering that the note on the back of the drawing says I started doing the preliminary pencil sketch at the end of....May!

But then again... in the intervening period I have slaved at the day job for forty hours a week, and completed about 25 cartoons for publication. I have added a few blog posts here as well and have tried my hand at freelance writing for the first time. More on that later hopefully...

Add to that it has been one of the hottest summers I ever remember too - that has sapped my energy big time and not made working any easier.

The worst bit was giving the final coloring push last Monday after a long weekend abroad (see previous post) and very nearly ruining everything. Thankfully that did not quite happen.


Oh well, I am pleased with the finished item so that is good enough for me. I hope I will start on something new soon. What that  might be remains to be seen.

Small irrelevant detail -  in The Big Hug I did not draw the clouds of course and only drew the sky around them. This provided an idea for my cartoon strip (pictured below).

Waste not, want not!

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Krakow in approximately 1465 words

11/9/2012

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I was never too keen to visit Poland actually. (Russia, Bulgaria and Romania also - and more so - still fall into that category) My image of the country was still somewhat stuck in the eighties when it was all about shipyards, Solidarnosc and the grey, expressionless face of its last Communist leader – the famously unpronounceable Wojciech Jaruzelski.

However going to a personal terra incognita is always a thrilling experience and after watching Ryanair’s fluctuating prices for a week we took the plunge – a very nervous plunge since I had never flown the cattle truck airline and I was more than a tad apprehensive.  In retrospect Ryanair is not half as bad as some make out, no frills, no bullshit – just a silly, annoying fanfare if you land on time
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Central Krakow is small – very small – but an incredibly beautiful show piece nonetheless.  Its streets are mostly pedestrian and most of the traffic consists of impeccably kept horse-drawn carriages aimed at the tourist market – and a pretty good business they seem to make out of it too; so the prices must be reasonable. I normally shun this stuff and I did so here too.  Walksies is fine thank you.

So what is there to see in Krakow? The Czartoryski Museum which I was keen to visit remains closed for refurbishment – it has not been open for about two years now and that’s a real shame. However Krakow’s world art piece de resistance is on show at Wawel Castle. You pay ten zloty to view Leonardo’s minuscule Lady with an Ermine in an appropriately darkened room. I don’t believe this is Leonardo’s best and I was left somewhat puzzled by both the lady’s awkward hand with very elongated and bony fingers and the ermine (we normally would call it a stoat) itself which is not cute at all but rather malevolent looking. Still there are only so many Leonardos you can see in one lifetime and the ten zloty was well spent.

So…what is there to see in Krakow? Put simply churches, more churches and then some more churches. First Wawel Cathedral – set within the grounds of the Royal Palace and a massive structure with some incredibly decorated chapels, a crypt with most of Poland’s royals interred, some lovely tapestries. You buy the ticket and you’re invited to go up to one of the Cathedral’s towers until you stand just beneath Poland’s largest bell – the Zygmunt, cast in 1520. Mercifully they keep it silent while the tourists visit the tower.

Interestingly the Cathedral and the Palace, though both within the same compound, seem to fall under the separate jurisdictions of Church and State – much like the arrangement for the cathedrals in Malta.  Talking of the Church as an institution rather than brickwork, I did get the feeling that the Church is still pretty strong in Krakow. I have never seen so many young priests and nuns anywhere else in Europe. From our apartment just across from the Dominican church I could also notice steady streams of locals coming in and out of the church presumably for a short prayer visit. The first mass of the day was at 6am in most churches whereas Malta has mostly done away with this early service though it still persists in Gozo.

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But back to the brick and mortar stuff. I didn’t really like the church next to us – the Dominican base in Krakow – it is mostly bare and rather unwelcoming. But at the other end of the street the competing Franciscan Church (photo on right) more than makes up for this. It’s quite a riot of color in fact and one of the arches is a veritable peacock’s tail of color.  The church also contains a stunning piece of modern stained glass by Stanislaw Wyspianski (died 1907). Visiting the church for best effect is pretty tricky – it’s a huge and dark place and best visited in late afternoon sun when the light from the stained glass throws so many lovely hues everywhere. Better still sit through an afternoon mass as I did, the church is well lighted then and the organ playing adds to the atmosphere. Yes it is heavenly – trust me.


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But pride of place must surely go to St. Mary’s Basilica in the dead center of Krakow.

I never knew Gothic could be this wonderful, this colorful. There’s a blue star-studded ceiling; there are columns featuring gold, black, reds. yellows and all sorts of terracotta hues. There is a massive crucifix hanging in the church’s crossing. And then there is an awesome sculpted polyptych as the church’s altarpiece. This is normally kept closed but a nun opens it at 11.50am each day to show the hidden centerpiece within – a huge sculpted Dormition of the Virgin. This breathtaking ritual is somewhat ridiculed by a recorded fanfare that breaks out when the altarpiece is fully open, very much in the fashion of the Ryanair onboard announcement marking yet another on time landing. Bit ridiculous but again a very well spent six zloty. The altarpiece is by Veit Stoss (1450-1533) who surely deserves to be much more renowned than he appears to be. I visited this church about three times in an effort to take it all in (impossible ask). On our last day I was lucky to witness the tail end of a wedding mass there with the church brightly lit and the altarpiece opened for the occasion (I suppose the bride and groom pay extra for the privilege...). When the mass ended the church organ blasted out a reverberating rendition of the Wedding March. It’s at magical moments like these that words simply fail you and the emotions of this multi-sensored experience get overwhelming. That’s the second time I went to heaven that day.


Outside the Basilica is the largest medieval square in Europe – the Rynek Glowny – or to give it its more mundane English translation - Main Square. It is roughly 40,000 meters square – and no I have no idea how many football pitches you can fit in that space.

In the middle of the square squats the huge Sukiennice – a medieval cloth hall now abuzz with all sorts of souvenir sellers – some tatty but there are plenty of examples of regional wood carvings if you are ready to splash out. I got me a small Madonna and Child and it didn’t break the bank.

Which brings me to the subject of pricing. Well Krakow is embarrassingly cheap especially where food is concerned, One example will suffice I think. At one of Krakow’s most popular restaurants we ordered two mixed grills of sorts marked at around 30 zloty each (30 zloty approximates 7.5 euro). The waitress politely advised us not to order two as it might be too much so we ordered just the one platter to share. When the food arrived it had no less than eight different pieces of meat and all of them in double portions! Plus veg and rice and stuff. I’m pretty sure you couldn’t do it cheaper if you cooked this at home.

The one problem (if you can call it that) with Krakow is its small size – after a day or so you are likely to end up wandering along the same streets - quite ok for some but not for a restless animal like me.

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So we took the obligatory tour to Auschwitz. It’s a strange experience knowing full well the horrors that happened there and what man is capable of inflicting on his fellow man. It is difficult to put things in perspective, difficult to imagine the real horror in spite of the brilliant guiding. It is instead the mountains of shoes and the inmates’ traveling baggage which are left to tell but a small part of this sad sad story. It was only the room full of human hair which I found disturbing (very sensibly you are not allowed to take photos in this room). All this in Auschwitz One.

Auschwitz Two (Auschwitz-Birkenau) is vaster and was the ultimate death factory of the Nazi Regime. The camp and the extermination chambers are partly in ruins – the chambers were of course hurriedly destroyed before the Soviet Army liberated the camp.

The commonly photographed main entrance of the camp with its rail lines leading through the doors of earthly hell remains a strong icon however much one might have seen it.

One of the rooms at Auschwitz contains the famous George Santayana quote “The one who does not remember history is bound to live through it again”.

Now that I have seen this place I want to read some more on the subject. I had read Rudolf Hoss’s sangfroid memoirs a long time ago and it’s time to either borrow the tattered copy again or look for something more on this harrowing subject.


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Early Cartoon Work

2/9/2012

3 Comments

 
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Ironic really. I have written about several subjects but I have never featured any of my early cartoon work here. As I said in one of my first  blog posts, I made a conscious decision to try my hand at cartooning after visiting Ralph Steadman's Between the Eyes exhibition in London's South Bank Centre in 1984.

Most of the sketches here date from that fateful year to 1989. Most of them started as pencil doodles until eventually a few lines indicate the features a face might  take. A few of these early drawings served as preparatory sketches when I eventually started to do more "finished" works, some others were never utilised. The medium is ink and sometimes a few strokes of colored pencils were added.

Enjoy!

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